ariadne randall is a composer, artist, and writer based in vienna. her work practices worldbuilding through transmedia narrative, making spaces for imagination in time, sound, and language. her most recent work, “our mouths are spring,” is a stageless opera on love and commodities for voice and modular synthesizer. she holds degrees from bard mfa and ucla; has performed widely, from diy spaces to lincoln center; and been a part of work featured in the bbc, cnn, artforum, and elsewhere. she is an austrian national residency fellow (bmkös), touring engineer for rosa anschütz, and current participant in the huggy bears mentoring program for performance. she previously lived in new york city, where she was active in organizing underground venues, zines, and radio.

worked with: rosa anschütz, via app, genevieve belleveau, anastasia clarke, dreamcrusher, eartheater, matt evans, asa horvitz, wayne horvitz (naked city), tallesen, tristan kasten-krause, beta librae, robert ponger (falco), anna roberts-gevalt (anna & elizabeth), carmen q. rothwell, colin self, rebecca fin simonetti, molly soda, umfang, trevor wilson & vocal ensemble, vales

shared the stage with: show me the body, blood orange, daniel carter, che chen, christeene, dan deacon, huerco s., colin fisher, guardian alien, guerrilla toss, amirtha kidambi, sarah kinlaw, muyassar kurdi, monica mirabile, oneida, m. geddes gengras, gut nose, pictureplane, a place to bury strangers, ratking, ben seretan, azuria sky, tallesen, weeping icon, ziemba

notable venues: 285 kent, bowery poetry club, daytrotter sessions, danspace project, das theatre, desingel, flux factory, la fonderie darling, glasslands, here arts center, lincoln center, montez press radio, joshua tree national park, knockdown center, kpfa, microscope gallery, para site, park church co-op, phoenix theatre, the royal room, sculpturecenter, the silent barn, trans pecos, wfmu

cv on request.